
WORKSHOPS
Vulnerability
Diego Ingold and I at the show "Treehouse Unscripted" part of Flock Theatre Festival
Do we have courage to be seen when we have no control over the out come? To let go of the tools and tricks we have accumulated to stay safe on the stage? Unlock fears and shame, explore our stage presence, be loved by the audience and take them though a journey and enjoy wherever it takes you.
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“The most dangerous stories we make up are the narratives that diminish our inherent worthiness. We must reclaim the truth about our lovability, divinity, and creativity.”
-Brené Brown
Full of Feeling & Feelings in Full
Me being over the top in a show at Improfestival Karlsruhe
Do you enjoy emotions so big and performed they practically wink at the audience?
Perfect! We’ll throw ourselves into all the emotions (the bigger the better!) and spin them into deliciously dramatic scenes with shocking revelations, and plenty of dramatic gasp [TA-DAAA!] and [dum dum DUUUM!].
If you’re excited to improvise everything from juicy little secrets to over-the-top, larger-than-life situations, then this is for you. You’ll learn how to act out emotions without actually feeling them, exaggerate reactions in ways that turn into pure gold, and create scenes that sparkle for both players and audience.
Mayhem Magic and Mischief
Jeroen Du Chatinier and I taking
mischiefness very seriously. Flock Theatre
What happens when you’re on stage with a big group? How do you create space for smaller moments and still keep focus?
This workshop is all about moving with purpose and finding magic within the larger flock.
Drawing on her longtime love of Bouffon, Tanine will share how the creativity and power of the hivemind can transform your improv.
Strong group connection doesn’t come from a quick warm-up—it needs consistent care. By tuning into yourself and your fellow players, you’ll discover how to make moments shine, from the shortest scene to the longest form.
Come experience the stage magic that happens when listening and support truly meet.
From Doodling to Performing
Just me doodling a self portrait
We improvise because we like taking risks , taking a chance to surprise oneself, to discover a new way of doing things. To feel free and use our mistakes to discover something new.
And most importantly "to connect to ourselves, to other people and to the environment."
In this workshop I will share with you another path to get to all the beautiful things we love about improv. Via drawing, sketching and doodling.
What can we learn from this art form to use on the stage? how to find out inner freedom before offering it to the audience? how to enjoy every little stroke and believe that no stroke needs to be erased? what can we learn from composition to imply to understanding of space on the stage?
Bouffon
Student show case of my Bouffon
workshop at Improfest Bielefeld
Bouffons are comic characters whose profession is to make people laugh. They are a shapeshifting chorus of wild creatures, like the fools of the kings and the lords. They entertain and use insolence.
How can we use our own Bouffon in Improv? Together we will dive deep into the physical world of Bouffon.
The Bouffon state is an extreme state of play. The strength of the Bouffon world is their sense of ensemble. To feel free as a group and a safe place to let go and lose up. It's a powerful tool to develop a completely new feeling for your improv. And it's fun!
You will be guided through exercises, games that promise to invigorate and encourage you to find the pleasure in play as a group and solo. Concluding with Bouffon ensemble experiments.
Play your Mother/Father
Thom Roelofs and I being old and cute
for What Impro show at Flock Theatre
You have heard people saying “play what you know”. WHAT you know, includes WHO you know.
I compare playing characters you don’t know, to eating a chocolate cake with pineapple inside and topped with hagelslag!
While portraying a character should be like nibbling on a madeleines. Hard to get it wrong and easy to digest!
And who do we know better than people we have been raised by and lived with?
IranianTelenovela(FilmFarsi)
Inbal Lori and I being middle easterns that
we are in FilmFarsi at Impro Amsterdam
Have you ever been super melodramatic in a show, and felt you could still
dial it up to 11? Do you find yourself constrained by the realities of normal life?
In this course, we will focus on the format of FilmFarsi (literally: Persian Movie), with its own flavour of overacting, plot twists, music transitions, and action sequences! You will work on how to let go, and be that little bit more extra.
Diversity
My son showing me what does diversity
means by adding legos to check board
In the increasingly international world of improv, how do we play with people from backgrounds different from our own?
How can our improv shows reflect the richness of our lands, histories, and cultures?
How do we use our differences to create unique and beautiful scenes where everybody feels included and connected?
Join this workshop to
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Build cross-cultural settings
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Find immediate connections with people from any part of the world
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Play engaging characters from very different backgrounds
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Level up your scene work through intercultural context









